Save Yourselves! editor Sofi Marshall talks about cutting the film and her workflow.

Special Thanks to Adobe, Universal Production Music and Blackmagic Design.… Continue Reading

Black Bear’s writer/director Lawrence Michael Levine lures us into a tense and intrepid tale of gender dynamics and temptation, using the complexity of relationships to detonate the thin line separating art from life.

Special thanks to Adobe, Universal Production Music and Blackmagic Design.… Continue Reading

Jeff Gilbert is the Editor and Connor Hall is the Assistant Editor of the Sundance US Grand Jury Prize Documentary Boys State.

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New York-based Gil Seltzer talks about his path to editing and his work on Aggie. Special Thanks to Adobe, Universal Production Music, and Blackmagic Design.… Continue Reading

Spree, which focuses on a guy who drives for a ridesharing company, who has come up with the perfect way to go viral: #TheLesson. He’s decked out his car with cameras for a nonstop livestream full of killer entertainment. During Sundance 2020, our own Brady Betzel sat down with the film’s editor Benjamin Moses Smith.

Special Thanks to Adobe, Universal Universal Production Music and Blackmagic Design.… Continue Reading

Texas-based editor Courtney Ware used Adobe Premiere to edit the film Miss Juneteenth. Here she talks about her process and her path to feature film editing. Special Thanks to Adobe, Universal Production Music and Blackmagic Design.… Continue Reading

Contributor Brady Betzel went to Sundance 2020 to interview some editors. Here he talks technique with editor/director/writer Adam Carter Rehmeier, but also the strains that this industry can put on family life.

Special Thanks to Adobe, Universal Production Music and Blackmagic Design.… Continue Reading