Colorist Chat Archives - postPerspective https://postperspective.com/category/behind-the-title-2/colorist-chat/ Your Online Magazine for All Things Production & Post Thu, 29 Feb 2024 17:22:55 +0000 en-US hourly 1 https://postperspective.com/wp-content/uploads/2023/07/favicon-64x64.png Colorist Chat Archives - postPerspective https://postperspective.com/category/behind-the-title-2/colorist-chat/ 32 32 106411715 Colorist Chat: Company 3 Colorist Yoomin Lee https://postperspective.com/colorist-chat-company-3-colorist-yoomin-lee/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-company-3-colorist-yoomin-lee https://postperspective.com/colorist-chat-company-3-colorist-yoomin-lee/#respond Thu, 29 Feb 2024 17:22:55 +0000 https://postperspective.com/?p=73740 Yoomin Lee is a colorist at Company 3 London, a global company providing post services across feature films, episodic television, commercials, gaming and more. “The freedom to work on all sorts of projects, big or small, is a major thing that attracts talent to work for them,” Lee says.

We reached out to Lee to find out more about how she works and what inspires her.

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Colorist Chat: After Studios’ Edgar Reyna https://postperspective.com/colorist-chat-after-studios-edgar-reyna/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-after-studios-edgar-reyna https://postperspective.com/colorist-chat-after-studios-edgar-reyna/#respond Wed, 29 Nov 2023 20:53:21 +0000 https://postperspective.com/?p=72050 Edgar Reyna is a colorist at India’s After Studios, a company that offers post services, including digital intermediates, visual effects and online editorial. A 10-year industry veteran, Reyna, who is Mexican-born, has been enjoying his time in Mumbai.

Let’s find out more…

As a colorist, what would surprise people the most about what falls under that title?

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Setting the Color for Scorsese’s Killers of the Flower Moon https://postperspective.com/setting-the-color-for-scorseses-killers-of-the-flower-moon/?utm_source=rss&utm_medium=rss&utm_campaign=setting-the-color-for-scorseses-killers-of-the-flower-moon https://postperspective.com/setting-the-color-for-scorseses-killers-of-the-flower-moon/#respond Mon, 27 Nov 2023 22:02:27 +0000 https://postperspective.com/?p=72014 Company 3 senior colorist Yvan Lucas began working with DP Rodrigo Prieto, ASC, AMC, on the look of Martin Scorsese’s Killers of the Flower Moon long before the film was in production. Lucas, who has collaborated with Prieto on most of the cinematographer’s work for nearly two decades, shares Prieto’s fondness of a film-style workflow in which filmmakers do as much as possible upfront to set appropriate looks,

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Colorist Chat: Outpost’s Clark Griffiths https://postperspective.com/colorist-chat-outposts-clark-griffiths-2/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-outposts-clark-griffiths-2 https://postperspective.com/colorist-chat-outposts-clark-griffiths-2/#respond Thu, 16 Nov 2023 22:44:40 +0000 https://postperspective.com/?p=71916 Clark Griffiths is a colorist at St. Louis-based Bruton Stroube, a 40-year-old live-action production studio whose post division is called Outpost.

After stints at Framestore and Company 3 in Chicago, Griffiths moved to Missouri in 2022 to work at Outpost. Over his career, he has graded spots for Allstate, Cadillac,

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Colorist Chat: Creative Outpost’s Mark Horrobin Talks Path and Light https://postperspective.com/colorist-chat-creative-outposts-mark-horrobin-talks-path-and-light/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-creative-outposts-mark-horrobin-talks-path-and-light https://postperspective.com/colorist-chat-creative-outposts-mark-horrobin-talks-path-and-light/#respond Thu, 27 Jul 2023 16:46:56 +0000 https://postperspective.com/?p=69862 Growing up on a farm in the large, open spaces of the Australian Outback has had a big influence on Creative Outpost’s new senior colorist, Mark Horrobin. It not only gives him inspiration in his work, but it drives the types of grading he likes to work on. “I like wide-open spaces,

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Colorist Chat: Margarita Mix’s Troy Smith https://postperspective.com/colorist-chat-margarita-mixs-troy-smith/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-margarita-mixs-troy-smith https://postperspective.com/colorist-chat-margarita-mixs-troy-smith/#respond Wed, 21 Jun 2023 21:27:23 +0000 https://postperspective.com/?p=68998 Troy Smith is a colorist at FotoKem’s Margarita Mix Hollywood. He calls it “a unique facility because it has a boutique feel with the resources and support of a large facility.”

In 2011, Margarita Mix built out the video side of its business offering online editorial and color grading,

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Colorist Chat: Stone Dogs’ Mark Meadows https://postperspective.com/colorist-chat-stone-dogs-mark-meadows/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-stone-dogs-mark-meadows https://postperspective.com/colorist-chat-stone-dogs-mark-meadows/#respond Tue, 06 Jun 2023 17:09:12 +0000 https://postperspective.com/?p=68663 Mark Meadows is a colorist at Stone Dogs, a London-based post house offering full production services, VFX, color and finishing. Meadows, who joined Stone Dogs in February, has worked in post for over 15 years. He moved up the ranks — from runner to MCR operator toassistant — learning to lace and scan film.

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Colorist Chat: Images & Sound’s Alana Cotton https://postperspective.com/colorist-chat-images-and-sounds-alana-cotton/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-images-and-sounds-alana-cotton https://postperspective.com/colorist-chat-images-and-sounds-alana-cotton/#respond Wed, 31 May 2023 21:08:39 +0000 https://postperspective.com/?p=68580 Alana Cotton is a colorist at Auckland, New Zealand-based Images & Sound, a full-service post house covering editorial, grading, visual effects, Foley, composition, ADR, mixing and deliverables. It’s been around for 40 years.

Let’s find out more about Cotton and the way she likes to work…

As a colorist,

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Colorist Chat: Studio Feather’s Ana Escorse https://postperspective.com/colorist-chat-studio-feathers-ana-escorse/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-studio-feathers-ana-escorse https://postperspective.com/colorist-chat-studio-feathers-ana-escorse/#respond Wed, 03 May 2023 21:43:36 +0000 https://postperspective.com/?p=68050 Ana Escorse is a senior colorist at Toronto’s Studio Feather, a post house whose services include color, visual effects, finishing and motion design.

Born and raised in Brazil, Escorse’s interest in color can be traced back to her early exposure to Brazilian Baroque art. She moved to Canada in 2012 and found her way to color grading,

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Colorist Chat: Sam Daley Talks Fairyland and Earth Mama  https://postperspective.com/colorist-chat-sam-daley-talks-fairyland-and-earth-mama/?utm_source=rss&utm_medium=rss&utm_campaign=colorist-chat-sam-daley-talks-fairyland-and-earth-mama https://postperspective.com/colorist-chat-sam-daley-talks-fairyland-and-earth-mama/#respond Mon, 03 Apr 2023 16:22:57 +0000 https://postperspective.com/?p=67337 Light Iron colorist Sam Daley, who works on both features and episodics, joined the company’s New York facility in 2021. His television credits include the series Life & Beth, Succession and The Sinner, and his feature credits include Scenes From a Marriage, The Florida Project and A Beautiful Day in the Neighborhood.

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