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Mission: Impossible — Fallout writer/director Christopher McQuarrie
By Iain Blair

It’s hard to believe, but it’s been 22 years since Tom Cruise first launched the Mission: Impossible franchise. Since then, it’s become a global phenomenon that’s grossed more than $2.8 billion, making it one of the most successful series in movie history.

With Mission: Impossible — Fallout, Cruise reprises his role of Impossible Missions Force (IMF) team leader Ethan Hunt for the sixth time. And writer/director/producer Christopher McQuarrie, who directed the series’ previous film Mission: Impossible — Rogue Nation, also returns. That makes him the first filmmaker ever to return to direct a second film in a franchise where one of its signature elements is that there’s been a different director for every movie.

In the latest twisty adventure, Hunt and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames), along with some familiar allies (Rebecca Ferguson, Michelle Monaghan), find themselves in a race against time to stop a nuclear bomb disaster after a mission gone wrong.

The film, which also stars Henry Cavill, Angela Bassett, Sean Harris and Vanessa Kirby, features a stellar team behind the camera as well, including director of photography Rob Hardy, production designer Peter Wenham, editor Eddie Hamilton, VFX supervisor Jody Johnson and composer Lorne Balfe.

I recently talked with the director about making the film, dealing with all the visual effects and the workflow.

How did you feel when Tom asked for you to come back and do another Mission: Impossible film?
I thought, “Oh no!” In fact, when he asked me to do Rogue Nation, I was very hesitant because I’d been on the set of Ghost Protocol, and I saw just how complicated and challenging these films are. I was terrified. So after I’d finished Rogue, I said to myself, “I feel really sorry for the poor son-of-a-bitch who does the next one.” After five movies, I didn’t think there was anything left to do, but the joke turned out to be on me!

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Quick Chat: Freefolk colorist
Paul Harrison

By Randi Altman

This global head of color likes to work on a mix of projects and not be pigeonholed.

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Behind the Title: Trollbäck+Company’s David Edelstein

In this new role, ED of client partnerships, his work is a constant juggling act.

Read More >


Maxon introduces Cinema
4D Release 20

ARRI’s Kraus to advisory role, Neuhaeuser takes tech lead

Edit house PS260 launches content studio

Marvel’s Victoria Alonso to
get honorary HPA award

DigitalGlue’s Creative.Space optimized for Resolve

Design studio Lobo expands
to NYC’s Chinatown

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