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House of Cards showrunners Melissa James Gibson and Frank Pugliese
By Iain Blair

Since it first premiered back in 2013, Netflix’s oh-so-timely political thriller House of Cards has been a big hit, delivering provocative, twisty plot lines peppered with surprises and shocks. It has also racked up dozens of awards, including 33 Primetime Emmys and fistfuls of Golden Globes along the way. But the biggest shocker of all was probably the real-life firing of star Kevin Spacey last year by Netflix, following allegations of sexual misconduct.

With Spacey — and power-hungry Frank Underwood — suddenly MIA, the upside is that girls now rule the world. This is great news for Robin Wright fans as the Golden Globe-winner and Emmy-nominee returns as President of the United States in Season 6, the final season of the series, which is now streaming on Netflix.

The show has added Oscar-nominees Diane Lane and Greg Kinnear to the cast, in addition to American Horror Story-alum Cody Fern. They join existing players Michael Kelly, Jayne Atkinson, Patricia Clarkson, Constance Zimmer, Derek Cecil, Campbell Scott and Boris McGiver.

Behind the scenes, Melissa James Gibson and Frank Pugliese continue as showrunners for Season 6, and serve as executive producers along with Robin Wright, David Fincher, Joshua Donen, Dana Brunetti, Eric Roth, Michael Dobbs and Andrew Davies. Created for television by Beau Willimon, House of Cards is produced by Donen/Fincher/Roth and Trigger Street Productions, in association with Media Rights Capital for Netflix.

I recently spoke with Gibson and Pugliese about making the show, their workflow and awards season.

When Kevin Spacey was fired, and you lost the show’s star, did you consider ending the series early?
Frank Pugliese: Yes, it was a huge thing, a big shock, and I think it had to be considered. But pretty quickly we figured out that the best response was to try and tell the story without Francis on screen. So within a day or so, we were back at work, writing out ideas and discussing how to do it.

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A Star is Born: Live vocals,
real crowds and venues

By Jennifer Walden

The vocals were recorded live on set for all the performances. Those live vocals are the ones used in the film’s final mix.

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Video Coverage: postPerspective
Live from SMPTE 2018

Our crews were interviewing SMPTE presenters, speakers and attendees, as well exhibitors during the conference.

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DP Chat: Polly Morgan, ASC, BSC

This cinematographer got the bug for filmmaking as a teenager in Great Britain, when a film crew shot at her family’s farmhouse.

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Epic Games releases
Unreal Engine 4.21

Review: Puget Systems Genesis I custom workstation
By Brady Betzel

Chaos to support Cinema 4D with rendering tools

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