NBCUni 9.5.23

Poor Things‘ Oscar-Nominated Cinematographer and Editor

By Iain Blair

Lavish, audacious and visually stunning, Yorgos Lanthimos’ Poor Things tells the fantastical story of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant, daring scientist Dr. Godwin Baxter (Willem Dafoe). The film just won five BAFTAs and scored an impressive 11 Oscar nominations,

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NBCUni 9.5.23
Holdovers

The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow

By Iain Blair

Editor Kevin Tent, ACE, has had a long and fruitful collaboration with director Alexander Payne. Their first film together was 1995’s Citizen Ruth, and he’s edited all of Payne’s films since, including the Oscar-nominated Sideways. Tent earned his first Academy Award nod for his work on The Descendants.

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American Fiction

Director and Editor of Oscar-Nominated American Fiction Talk Post

By Iain Blair

Nominated for five Oscars, including Best Picture and Best Lead Actor, American Fiction is writer Cord Jefferson’s impressive directorial debut. It’s a dramedy satire that stars Jeffrey Wright as Monk, an erudite and frustrated novelist who’s fed up with the establishment profiting from stereotypical “Black” entertainment that relies on tired and offensive tropes.

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DP Linus Sandgren on Saltburn’s Shoot, Dailies and Color

By Iain Blair

Swedish cinematographer Linus Sandgren, ASC, has multiple award noms and wins under his belt, including an Oscar for his work on the retro-glamorous musical La La Land. His new film, Saltburn, couldn’t be more different.

Written and directed by Emerald Fennell,

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Kirk Baxter on Editing David Fincher’s The Killer

By Iain Blair

David Fincher’s The Killer is a violent thriller starring Michael Fassbender as an unnamed hitman whose carefully constructed life begins to fall apart after a botched hit. Despite his mantra to always remain detached and methodical in his work, he lets it become personal after assassins brutally attack his girlfriend,

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Teenage Mutant Ninja Turtles

Mark Mangini on Soundscape for Teenage Mutant Ninja Turtles

By Luke Harper

Dune, Mad Max: Fury Road, Blade Runner 2049 and over 125 more films. Six Oscar nominations and two wins. Educator. Musician. Formosa supervising sound editor/sound designer/re-recording mixer Mark Mangini is pretty much a Renaissance man of audio.

As an audio post pro myself,

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Podcast 12.4

May December Editor Affonso Gonçalves Talks Workflow

By Iain Blair

Writer/director Todd Haynes, who was Oscar-nominated for his ‘50s romantic drama Far from Heaven, has always been drawn to classic melodrama and period pieces that examine provocative issues. His new film, May December, tells the story of a shocking affair between 36-year-old Gracie (Julianne Moore) and 13-year-old Joe (Charles Melton).

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Podcast 12.4

Director Francis Lawrence on New Hunger Games‘ Edit and Color

By Iain Blair

Director/producer Francis Lawrence saw his career go turbo-charged when he directed the last three of the four Hunger Game films and helped steer the sci-fi dystopian series into the record books as one of the most successful franchises of all time.

Now Lawrence has returned to the franchise with The Ballad of Songbirds and Snakes,

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Only Murders in the Building Editor Shelly Westerman Talks Workflow

By Iain Blair

Created by Steve Martin and showrunner John Hoffman, Hulu’s Only Murders in the Building stars Martin, Martin Short and Selena Gomez as three New Yorkers with a shared interest in true crime podcasts. They become friends while investigating suspicious deaths in their affluent Upper West Side apartment building and producing their own podcast about the cases.

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Barbie Editor Nick Houy Talks Workflow and VFX 

By Iain Blair

Helmed by Greta Gerwig, co-written by Noah Baumbach (Marriage Story) and starring Margot Robbie and Ryan Gosling, Barbie is a celebration of girl power that effortlessly manages to combine romance, sharp satire, stylish musical numbers, wacky car chases and warm-hearted comedy – all tied up with a big pink bow.

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Emmy-Nominated Editors on HBO’s The Last of Us

By Iain Blair

The Last of Us, HBO’s series based on the videogame of the same name, is full of violence and zombies created by a parasitic fungus. And, like the game, it’s an intimate character study that tells the story of Joel (Pedro Pascal), a smuggler, who has to protect and escort Ellie (Bella Ramsey),

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OPPENHEIMER

Oppenheimer VFX Supervisors Talk Explosive Visual Effects

By Iain Blair

Directed by Christopher Nolan, and based on the novel “American Prometheus,” Oppenheimer tells the story of theoretical physicist J. Robert Oppenheimer and follows the work of his team of scientists during the Manhattan Project, leading to the development of the atomic bomb. It stars Cillian Murphy as Oppenheimer.

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Emmy-Nominated Beef Director Jake Schreier

By Iain Blair

The Netflix limited series Beef tells the story of two Los Angeles residents from opposite ends of the economic and social spectrum. Danny (Steven Yeun) is a struggling contractor living in gritty Koreatown and Amy (Ali Wong) is a successful lifestyle guru living in the wealthy suburb of Calabasas.

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Emmy-Nominated Director Paris Barclay on The Jeffrey Dahmer Story

By Iain Blair

Paris Barclay is one of television’s most successful and honored directors. A two-time Emmy Award winner, he’s directed nearly 200 episodes of television, including such series as The West Wing, ER, Glee, CSI, The Shield, Scandal and NYPD Blue. He received his ninth Emmy nomination for an episode of the Netflix show Dahmer – Monster: The Jeffrey Dahmer Story.

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Indiana Jones

VFX Supervisors Talk De-Aging Indiana Jones and More

By Iain Blair

Directed by James Mangold, Indiana Jones and the Dial of Destiny is the long-awaited final chapter in the beloved saga, which stars Harrison Ford reprising his role as the whip-smart archaeologist one last time.

Featuring huge set pieces showcasing spectacular VFX – including the opening train sequence,

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Mission Impossible Director Chris McQuarrie on Stunts, VFX, COVID

By Iain Blair

When the first Mission: Impossible film starring Tom Cruise came out in 1996, it began a tradition of bringing on a new A-list director for each movie — Brian De Palma was followed by John Woo, J.J. Abrams and Brad Bird. This changed after Christopher McQuarrie directed 2015’s Rogue Nation.

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